Dutch 1883-1931 Dutch painter, architect, designer and writer. He was officially registered as the son of Wilhelm Kepper and Henrietta Catharina Margadant, but he was so convinced that his mother second husband, Theodorus Doesburg, was his father that he took his name. Little is known of his early life, but he began painting naturalistic subjects c. 1899. In 1903 he began his military service, and around the same time he met his first wife, Agnita Feis, a Theosophist and poet. Between about 1908 and 1910, much influenced by the work of Honor Daumier, he produced caricatures, some of which were later published in his first book De maskers af! (1916). Also during this period he painted some Impressionist-inspired landscapes and portraits in the manner of George Hendrik Breitner. Between 1914 and 1915 the influence of Kandinsky became clear in such drawings as Streetmusic I and Streetmusic II (The Hague, Rijksdienst Beeld. Kst) and other abstract works.  Related Paintings of Theo van Doesburg :. | Fortune Teller | The Spiritual Body | Summer Dream | Moddermajoor | Boer |
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Francois Dumont
(1751-1831) was a French painter of portrait miniatures Dumont was born at Lunville (Meurthe), and was left an orphan when quite young, with five brothers and sisters to support. He was for a while a student under Jean Girardet, and then, on. the advice of a Lunville Academician, Madame Coster, set up a studio for himself. In 1784 he journeyed to Rome, returning after four years careful study, and in 1788 was accepted as an Academician and granted an apartment in the Louvre. He married the daughter of Antoine Vestier, the miniature painter, and had two sons, Aristide and Bias, both of whom became painters. Dumont was one of the three greatest miniature painters of France, painting portraits of Louis XVI, Marie Antoinette, Louis XVIII and Charles X, and of almost all the important persons of his day. His own portrait was engraved both by Francis Audouin and by Jean-Charles Tardieu. He resided the greater part of his life in Paris, and there he died. A younger brother, Tony Dumont, was also a miniature painter, a pupil of his brother, a frequent exhibitor and the recipient of a medal from the Academy in 1810. Each artist signed with the surname only, and there is some controversy concerning the attribution to each artist of his own work. Tony was an expert violinist and delighted in painting portraits of persons who were playing upon the violin. Many of Dumont's finest paintings came into the collection of J. P. Morgan, but others are in the Louvre, presented by the heir of Bias Dumont. The work of both painters is distinguished by breadth, precision and a charming scheme of coloring, and the unfinished works of the elder brother are amongst some of the most beautiful miniatures ever produced.
Robert Swain Gifford
(December 23, 1840 - January 13, 1905) was an American landscape painter. He was influenced by the Barbizon school. Much of his work focuses on the landscapes of New England, where he was born. He, along with Victorian contemporaries from the White Mountain and Hudson River Schools, helped immortalize the majestic cliffs of Grand Manan in the Bay of Fundy. His painting from the island, "Pettes Cove," is illustrative of his masterful marine work. In the 1870s, he undertook several journeys to Europe and the Middle East and painted some subjects from those regions. In 1899, he was an artist on the famous Harriman Alaska Expedition. Some of his works hang in the most prominent galleries in the USA, including the Fine Arts Museums of San Francisco, the Metropolitan Museum of Art, New York, and the Smithsonian American Art Museum, Washington DC. He was a member of the Society of American Artists.
Hans Multscher
German Northern Renaissance Sculptor, ca.1400-1467 German sculptor. Multscher mentions his birthplace on the inscribed band, originally a predella, of the Karg altarpiece in Ulm Cathedral (1433) and on two wings of the so-called 'Wurzach Altar' (1437) at Reichenhofen in the Allgeu. The town archives of Leutkirch, written between 1405 and 1437, record that Multscher belonged to the 'Freien Leute auf Leutkircher Heide', a commune of free peasants who had been able to preserve their independence because they were the direct descendants of Kenigsfreie, who had always been free. Under a charter of Emperor Ludwig in 1337